Te Uhi A Mataora
Ta Moko Arts (Maori Cultural Tattoo)
Members of Te Uhi a Mataora at Te Papa, March 2004
(Julie Kipa, Derek Lardelli, Mark Kopua, Riki Manuel, Rangi Kipa, and Richard Francis)
This is the newest of the national art organisations, with the desired outcome of retaining and developing Ta Moko as a living art form.
Committee:
Derek Lardelli - Pouwhakahaere (Gisborne)
Turumakina (Tu) Duleyz (Auckland)
Richard Francis (Rotorua)
Mark Kopua (Tolaga Bay)
Patrick Takoko (Gisborne)
Te Uhi was formed in response to inquiries received by Toi Maori, concerning the need for a group to advise on the art form.
A national gathering of 50 artists in April 2000 at Waipapa Marae, Auckland, discussed the formation of a national forum for Ta Moko. There was an agreement in principle for the establishment of a group and for it to become a member of Toi Maori. In July later that year, a National Hui followed at Apumoana Marae, Rotorua. An executive was elected to develop a programme to achieve the desired outcomes of the national collective.
Leading moko artists have experience as trained carvers however there is also a healthy number of practitioners who emerge from a design background. The depth of understanding of the traditional forms and designs depends on the prior learning of the artists.
Safe health practices are a priority for Te Uhi. All members will adopt a code of practice to ensure consistency and care of wearers of the art work.
The call for research and development of current practices of Ta Moko is addressed through workshops. Members collectively gather and disseminate the considerable volume of knowledge of traditional Ta Moko. This is a primary role of the group and ensures a healthy growth in understanding of the art.
The work within tribes and subtribes is imperative to the art form returning and remaining within traditional Maori communities.
The international interest in Maori designs through the tattoo industry provides a healthy income and results in a growing awareness of Maori Ta Moko artists. For a number of artists, attendance at tattoo conventions provides an integral employment for themselves as artists. It is this diversity of practice that will stimulate considerable debate.
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This page last updated 23 April 2005